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Yang
Hui-Shan and Chang Yi made a promise:
the history of Chinese glass art had been truncated, but after Liuli
Gongfang, it would flourish again.
After years of researching and carefully developing a unique Chinese glass
art style, Liuli Gongfang's achievements
were being noticed worldwide. The response to their work on the part of
CIRVA, the French Center of Glass Arts, illustrated just how far they
had come. In 1997, the director of the French center for glass arts CIRVA,
Francoise Guichon, brought a senior artist
to Taiwan and asked the French trade office in Taiwan to help them set
up an interview with Liuli Gongfang's Yang
Hui-Shan and Chang Yi. For the glass
workshop that had earlier studied the techniques of the French, this interview
had great significance. After the Taiwan interview, Francoise
Guichon invited Ms. Yang to come to
France to teach the lost-wax cast method, in hopes that her skill and
experience could help advance CIRVA's own development.
By 1998, Liuli Gongfang had become a mature
pate-de-verre production studio and now faced
a new challenge. Ms. Yang had to return to
ground zero. The plan was to create more than ten large art pieces one
meter in diameter and weighing several hundred kilograms. Using the capabilities
of only a private glass studio, they would try to take glass art into
a new realm of size. The style of these pieces of glass art had never
been done in the history of Chinese glass craft, and rarely seen internationally.
In this ever more utilitarian society, Liuli Gongfang
was almost invisible. The message it desired to send forth was
to continue to pursue new skills and to transcend past successes. It only
had to put its ideals into practice in order to "preserve
some little part of Chinese history."
Liuli Gongfang's goal is to create a style
of a people, and start an even more aggressive study and understanding
of Chinese culture. Through glass, Liuli
Gongfang hopes to create a new modern language
and bring Chinese culture onto the international stage. Three thousand
years of Chinese glass art history ¡V Liuli
Gongfang's mission is to keep it alive.
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